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Biographical film

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Biographical film

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Poster for Man on the Moon (1999), a recent biopic Poster for Man on the Moon (1999), a recent biopic

A biographical picture— often shortened to biopic— is a film that dramatizes the life of an actual person or persons. They differ from films “based on a true story” or “historic films” in that they attempt to comprehensively tell a person’s life story or at least the most historically important years of their lives.

Since the 1980s, biographical pictures have become increasingly popular as advancement in film technology and increases in film budgeting have allowed directors to more fully recreate historic periods. In the early 2000s, there has been a flood of biographical pictures after Man on the Moon, Ali, Frida and others became widely acclaimed and awarded

Because the figures portrayed are of such historic importance, biopics are considered some of the most demanding films of actors and actresses. Will Smith and Jim Carrey both gained respect as dramatic actors after starring in biopics, Smith as Muhammad Ali in Ali and Carrey as Andy Kaufman in Man on the Moon.

Traditionally biographical films focus on beloved, historically important people. However, recently some have focused on more dubious figures (The People vs. Larry Flynt, Blow, Monster etc.)

In rare cases, the subject of the film plays him or herself; Audie Murphy in To Hell and Back, Howard Stern in Private Parts.

Most biopics are dramas but some cross over into the comedy, action and other genres.

Controversies over truthfulness

A certain amount of truthfulness is expected of biopics, often to reduce the risk of libel, but the films often alter events to suit the storyline. Events are sometimes portrayed more dramatically than they actually occurred, time is “condensed” to fit all important events into the film or several people are blended into a composite.

Although many viewers and critics forgive such fabrications for entertainment value, some biopics have come under criticism for allegations of untruthfulness. Historians noted the wayward chronology of Michael Collins, a team of Greek lawyers threatened to sue the makers of Alexander for implying that Alexander the Great was bisexual and many boxing fans resented the villainous portrayal of Max Baer in Cinderella Man.

However, another boxing film, 1999's The Hurricane, about boxer Rubin Carter and his hotly-disputed triple murder conviction, is perhaps a more controversial biopics in terms of accuracy. Several details were altered to enhance the image of Carter and details about the police procedures that lead to the conviction conflicted with court records. Also, former middle weight champion Joey Giardello, who won a title bout against Carter, sued the film’s producers for suggesting he won due to a racist “fix.” The case was settled out of court.

Roger Ebert defended the The Hurricane and distortions in biographical films in general, stating "those who seek the truth about a man from the film of his life might as well seek it from his loving grandmother, The Hurricane is not a documentary but a parable."[1]

Some biopics purposely stretch the truth. Confessions of a Dangerous Mind was based on game show host Chuck Barris’ widely debunked, yet still popular, memoir of the same name, in which he claimed to be a CIA agent, and Kafka incorporated both the life of author Franz Kafka and the surreal aspects of his fiction.

Casting can be controversial for biographical films. Many felt that Anthony Hopkins should not have played Richard Nixon in Nixon because of a lack of resemblance between the two and some Selena fans objected to the casting of Jennifer Lopez in a biopic about her because Lopez is Puerto Rican and Selena was Mexican.

References

  1. ^ The Hurricane review by Roger Ebert

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Movies, v. 2.0, by MultiMedia

This guide is licensed under the GNU Free Documentation License. It uses material from the Wikipedia.


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